Behind Every Great Photographer is a Great Retoucher
Sometimes a picture can be taken 100% in camera, but, more often than not, an image needs to be finessed behind the scenes before it is launched into the visual world. That’s where our friend, high-end retoucher Jon Birdseye enters the picture.
Birdseye earned an MFA in photography before embarking on a successful career in retouching. I started 4x5 large format film long before simulating the creative process using digital technology," says Jon, who credits his hybrid analog/digital education for his ability to render authenticity." I work to finesse the technology rather than having it determine the output."
Jon started his career in New York where he gained much-needed exposure to the demands of high-end editorial retouching. It was there that he learned a good photograph is merely the starting point of the final image. He came to understand that a talented and skilled retoucher can more closely mirror the vibrancy seen by the naked eye.
As retouching has taken on a greater significance, Jon finds himself operating more frequently on set. This vantage allows him access to the creative team’s artistic vision. “I might work with 14 frames to produce one image but I first need to interpret what the photographer and art director are after. This can be quite nuanced. I mean, blue means something different to different people.”
Take a moment to look at Jon’s projects at www.sallyreps.com or www.jonbirdseye.com.
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